Acquiring the group is part of Wanda Chairman Wang Jianlin’s stated goal
of owning 20% of the world’s movie screens. He believes that will give
his company significant negotiating power in discussions with the
world’s leading film distributors, most notably the six Hollywood
majors. Prior to the Nordic deal, Wanda controlled some 12% of global
screens through AMC and its separately listed Wanda Cinema line, which
has cinemas in China and also owns Australia’s No. 2 operator, Hoyts
group.
http://variety.com/2017/film/finance/wanda-expands-global-theater-reach-as-amc-pays-929-million-for-nordic-cinema-1201966877/
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Visar inlägg med etikett Variety. Visa alla inlägg
måndag 23 januari 2017
onsdag 14 december 2016
Emperors and beggars
Apr 29th 2010
Newspaper articles are expensive to produce but usually cost nothing to
read online and do not command high advertising rates, since there is
almost unlimited inventory.
--
Content farms like Demand Media and Associated Content, in contrast, aim
to produce content at a price so low that even meagre advertising
revenue can support it.
--
Demand Media's approach is a “combination of science and art”, in the
words of Steven Kydd, who is in charge of the firm's content production.
Clever software works out what internet users are interested in and how
much advertising revenue a given topic can pull in. The results are
sent to an army of 7,000 freelancers, each of whom must have a college
degree, writing experience and a speciality. They artfully pen articles
or produce video clips to fit headlines such as “How do I paint ceramic
mugs?” and “Why am I so tired in winter?”
--
The articles are copy-edited and checked for plagiarism. For the most
part, they are published on the firm's 72 websites, including eHow,
answerbag and travels.com. But videos are also uploaded onto YouTube,
where the firm is by far the biggest contributor.
--
December 3, 2013
The idea with Demand was to marry two businesses: domain name registration and low-cost content production. The foundations were the acquisitions of eHow.com, a provider of how-to tutorials, and eNom, a domain-name registration service provider.
Early on, Demand used eNom’s 1 million generic domain names (such as “3dblurayplayers.com”) to serve up relevant ads to people searching for specific topics. These “domain parking” pages were immensely profitable, generating north of $100,000 per day, according to a former Demand exec who requested anonymity. “That’s $35 million-$40 million per year without doing any work,” the exec said.
But the tactic was fundamentally a bait-and-switch. Users landed on the pages expecting to find information on a subject and instead found an ad.
http://www.economist.com/node/16010291
http://variety.com/2013/biz/news/epic-fail-the-rise-and-fall-of-demand-media-1200914646/
http://variety.com/2013/biz/news/epic-fail-the-rise-and-fall-of-demand-media-1200914646/
måndag 30 maj 2016
Vice Media Traffic Plummets, Underscoring Risky Web Strategy
March 21, 2016
The irony of what’s propelling this precipitous decline is a controversial practice that Vice, as well as other digital publishers, engage in online that’s actually aimed at inflating traffic numbers.
The inventory that Vice makes available to media buyers is actually a combination of its own website, Vice.com, and a collection of other Web properties Vice doesn’t really own or operate, such as ModernFarmer.com and ThePlaidZebra.com. Comscore enables this arrangement by allowing one publisher to essentially sign away its audience to another publisher through a document known as a “traffic assignment” letter. These pacts are typically struck by smaller publishers lacking advertising sales infrastructure; in exchange for turning over their traffic, they can have their inventory represented by a bigger entity with better access to a wider range of marketers.
--
While reach-hungry publishers like Vice aren’t hiding these partners from advertisers, these ad buys are considered the digital equivalent of mortgage-backed securities: mixed in with the premium inventory is lesser-quality placements.
http://variety.com/2016/digital/news/vice-media-traffic-plummets-underscoring-risky-web-strategy-1201733673/
The irony of what’s propelling this precipitous decline is a controversial practice that Vice, as well as other digital publishers, engage in online that’s actually aimed at inflating traffic numbers.
The inventory that Vice makes available to media buyers is actually a combination of its own website, Vice.com, and a collection of other Web properties Vice doesn’t really own or operate, such as ModernFarmer.com and ThePlaidZebra.com. Comscore enables this arrangement by allowing one publisher to essentially sign away its audience to another publisher through a document known as a “traffic assignment” letter. These pacts are typically struck by smaller publishers lacking advertising sales infrastructure; in exchange for turning over their traffic, they can have their inventory represented by a bigger entity with better access to a wider range of marketers.
--
While reach-hungry publishers like Vice aren’t hiding these partners from advertisers, these ad buys are considered the digital equivalent of mortgage-backed securities: mixed in with the premium inventory is lesser-quality placements.
http://variety.com/2016/digital/news/vice-media-traffic-plummets-underscoring-risky-web-strategy-1201733673/
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