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Visar inlägg med etikett Video. Visa alla inlägg

tisdag 30 augusti 2016

29 Big Online Video Marketing Statistics That Media Brands Need to Know

May 23, 2016

6. Over 800 YouTube creators have more than one million subscribers.
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8. In 2016, more video content will be uploaded in 30 days than all three major U.S. T.V.  networks combined have created in 30 years.


 


måndag 16 november 2015

DJI Phantom 3 Pro Real Estate Example




How To Film Real Estate Video With DJI Phantom

20/12/2013

20/12 2013
The real world application of th eDJI Phantom is demonstrated in this video.
With the combination of a GoPro camera, you can use it to film  real estate video.



http://bestquadcopter.com/how-to-film-real-estate-video-with-the-dji-phantom/ 

måndag 9 november 2015

The mother of all attack ads just landed in the Louisiana governor's race

“The choice for governor couldn’t be any more clear. John Bel Edwards, who answered our country’s call and served as a Ranger in the 82nd Airborne Division,” the ad’s narrator began, innocently enough.
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“Or David Vitter, who answered prostitute’s call minutes after he skipped a vote honouring 28 soldiers who gave their lives in defence of our freedom,” the ad continued. “David Vitter chose prostitutes over patriots. Now the choice is yours.”








måndag 2 november 2015

WTF is server-side ad insertion?

Server-side ad insertion, also known as “dynamic ad insertion” or simply “ad stitching,” is a technology that lets publishers stitch their video and ad content together on the CMS level rather than on the level of the browser.
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To understand why ad stitching is important, you first have to understand how most video ads are currently served. Videos and video ads are coming from different places — videos typically from a content delivery network (CDN) and ads from a third-party ad server, such as Doubleclick. These are then combined on the fly when people start watching videos. With server-side ad stitching, that combination of video and advertising happens on the backend.
http://digiday.com/publishers/wtf-server-side-ad-insertion/ 

måndag 21 september 2015

Strutting their stuff

The purpose of fashion shows is changing. Now everyone can watch.

Feb 14th 2015

With a 10- to 15-minute catwalk display costing up to a few million dollars, some industry commentators wonder if there are better ways for fashion brands to spend their marketing budgets than parading their wares at more and more shows.  
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Luxury brands have been cutting out the middlemen in their distribution chains. More than 80% of the shoes, bags and other products bearing the Prada label are now sold in its own shops, compared with about 50% a decade ago.
So the fashion shows have become less about selling the latest collection to other retailers’ buyers and more about communicating the brand’s image to a wider public.
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There are now legions of fashion “influencers”, with big followings on Twitter, Instagram and Pinterest. A recent survey of the luxury industry by the Boston Consulting Group (BCG) concluded that word of mouth overtook magazines last year as the biggest influence on consumers’ purchase decisions.
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Streaming also helps the fashion firms gather information on fans: Marc Jacobs, an American designer, has used it to capture e-mail addresses, by getting devotees to register in advance for live-streams in return for a chance to win tickets to shows.
The luxury industry in the 1990s was defined by the rise of global brands. The 2000s were all about those brands taking control of the retail “experience” offered to customers. The BCG report posits that in the coming decade, the industry will focus on getting to know individual customers. Fashion shows are part of that model.

How video-on-demand tech is changing the TV landscape

Subscription video-on-demand (SVOD) services such as Amazon's have sent shockwaves through the broadcast world, as they gain millions of new viewers each year and produce ever more of their own award-winning content.
Netflix, the market leader, is now in over 15% of British homes, while Amazon's market share is about 5%.
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The difficulty for SVOD services in the past was that you could only watch the programmes on a laptop or desktop, which meant they weren't ideal for collective family viewing.
Now internet-enabled smart TVs are bridging the gap, and new technologies, such as Amazon's Fire Stick and Google's Chromecast, are enabling viewers to beam content wirelessly from any connected device to their TV sets with relative ease.
Many cable TV services, such as Virgin's Tivo, also offer Netflix as part of their packages, again widening access.
But SVOD's Achilles heel is currently internet bandwidth - or lack of it.
Average download speeds in the UK are still around 23 megabits per second (Mbps).
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And it's important to put SVOD growth numbers in context.
Such services accounted for about 3% of total UK viewing in 2014.
http://www.bbc.com/news/business-34050865






måndag 31 augusti 2015

How Chanel trounces other industry brands on YouTube

According to Pixability, with 168 million views and 6.6 million engagements (likes, dislikes, shares and comments on YouTube) between January 2014 and April 2015, the brand was the most viewed and engaged channel in its category. 


http://digiday.com/brands/chanel-blows-brands-away-youtube/ 
 

måndag 3 augusti 2015

The biggest stars on YouTube make huge incomes ... yet they can't keep the vast majority of it


YouTube keeps a 45% cut of any ad revenue gathered by one of your videos.

Ads are only run on a minority of videos shown. Roughly, a video creator will earn $2,000 for every million views. "And then YouTube takes 45 percent,"
http://www.businessinsider.com/money-youtube-stars-actually-make-2014-2?r=UK&IR=T

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