torsdag 23 juni 2016

100+ Alternative Search Engines You Should Know






http://www.hongkiat.com/blog/100-alternative-search-engines-you-should-know/

Daily chart - A new Disney theme park opens in China


 



 



http://www.economist.com/blogs/graphicdetail/2016/06/daily-chart-11


'Network effect': Why Medium is courting the sports world

Thirty-five percent of traffic to an article on Medium comes from another article on the platform, according to the company. This, when combined with the popularity of sports leagues, teams and athletes on social media, is why Medium has been actively recruiting the sports community. Overall, the company has been focusing on serving as a social networking platform for influential voices to share content directly with their fans.
http://digiday.com/publishers/network-effect-medium-courting-sports-world/

Ad Archives: the Instagram account showcasing vintage print ads






http://www.creativereview.co.uk/cr-blog/2016/june/ad-archives-the-instagram-account-showcasing-vintage-print-ads/
https://www.instagram.com/adarchives/


onsdag 22 juni 2016

Out-Of-Home Advertising Growing For Next 5 Years

According to a new study and report from Borrell, Out-of-Home advertising is the only advertising medium unaffected by the Internet. At $7.5 billion it is half the size of radio advertising and one-third the size of newspapers.
--
Outdoor is very much a local business. The average outdoor company employs 11 people and grosses $3.5 million annually. In all, there are 2,190 out-of-home advertising companies. Even for the big companies, almost two-thirds of ad revenue comes from local establishments.
--
Borrell currently projects that almost $7.5 billion will be spent in the U.S. on ads outside the home this year. Of the total, two-thirds will go to billboard ads, but more than one dollar of every five will be spent on transit advertising, and almost one dollar of every eight will go to “alternative” out of home.  




















Instagram doubles monthly users to 500M in 2 years, sees 300M daily

Instagram now has over 500 million users, twice its count from two years ago. It added the last 100 million since September 2015, faster than the previous 100 million.
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But perhaps the most important stat is that Instagram now has 300 million daily active users, proving it’s become a true addiction, not something people just occasionally check.





 

tisdag 21 juni 2016

Apples nya regler hotar svenska appar

Nya regler från Apple riskerar att sätta stopp för appar som kräver legitimering med bank-id, avslöjar Breakit idag. Många tjänser, såsom banker, myndigheter och nya fintech-tjänster, är idag beroende av bank-id för att deras appar ska fungera. En sådan är populära Swish, med över fyra miljoner användare.
Det var i samband med den stora omgörningen av App store som presenterades före Apple utvecklarkonferens, som bolaget ändrade sina villkor för app-utvecklare. Det innebär enligt Breakit bland annat att Apple inte längre tillåter appar som är beroende av andra program för att fungera.
http://www.dagensmedia.se/medier/digitalt/apples-nya-regler-hotar-svenska-appar-6587022

Flipboard CEO says 'class not mass' advertising is the key to making money

Like many other web companies, Flipboard makes its money by selling ads. But unlike other platforms, which allow marketers to buy ads using automated tools - known as "programmatic" advertising - the curation app is also careful to also curate its advertisers.
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"Rolex does not want to be adjacent to a belly fat ad and that is crucial: Who are your fellow advertisers? It actually matters. Advertisers want to be adjacent to high-quality content and high-quality brands," McCue said. 
http://www.businessinsider.com/interview-flipboard-ceo-mike-mccue-at-cannes-lions-2016-6?r=US&IR=T&IR=T


One Side In the Ad-Blocker Wars Is Doomed

The current hysteria over ad blockers reminds me of the hysteria over TiVo when it first arrived in 1999—which itself was just an updated version of the hysteria over VCRs back in the 80s. If people can record shows, they'll skip the ads! We're doomed!
But no. TV ad revenue has been surprisingly stable since 1999 despite a decline in viewership. The big problem, it turns out, isn't the ad skippers, it's the number of people watching TV in the first place. I suspect the same is true of online journalism. Ad blockers aren't the problem, readership is. Provide a well-targeted audience and advertisers will pay for it. The folks who skip the ads probably weren't very good sales prospects anyway.
https://flipboard.com/topic/advertising/one-side-in-the-ad-blocker-wars-is-doomed/f-b059602d9e%2Fmotherjones.com

måndag 20 juni 2016

Reweaving the web

A slew of startups is trying to decentralise the online world

 

 

 Distributed applications are cropping up, too. Blockstack Labs’ offering, called Onename, which is also based on the blockchain, allows users to register their online identity; the idea is that they do not have to rely on log-ins provided by Facebook or Google. IndieWeb allows people to maintain information they want to share with the world without using centralised social networks. OpenBazaar is a collection of independent online shops.
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BlueYard, a venture-capital firm, recently invited other venture capitalists and entrepreneurs to a conference in Berlin. “We used to spend a lot of time investing in firms with network effects,” explained Brad Burnham of Union Square Ventures, referring to the mechanics of online markets, which allow successful firms to become dominant. “Now we are spending a lot of time figuring out how we could undo those effects.” His firm has invested in both Blockstack Labs and OpenBazaar, in the hope that they will curb the momentum of Facebook and Amazon.





Digital News Report 2016 - Overview and Key Findings of the 2016 Report





In some countries we have also seen the arrival of new mobile aggregators such as Apple News, which launched in the US, UK, and Australia in 2015. This provides a personalised interface for multiple branded news sources and provides new competition for existing mobile apps such as Flipboard, SmartNews, and Nuzzel.
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But at a headline level it is clear that most are still confined to early adopters and do not yet have anything like the impact of either Facebook or first-wave portals.





http://www.digitalnewsreport.org/survey/2016/overview-key-findings-2016/


Med Firefox senaste webbläsare blir det svårt att spåra besökarna

Den nya funktionen har lanserats för bara någon dag sedan och heter Container tab. Den kan laddas ner från Firefox Nigthly, som är en sida för testfunktioner i Firefox. Dessa ”Containers”, alltså behållare, ska hjälpa användare att separera identiteterna och minska ”naive tracking” av sådant som cookies.
http://www.dagensanalys.se/2016/06/med-firefox-senaste-webblasare-blir-det-svart-att-spara-besokarna/

torsdag 16 juni 2016

Tech companies are rushing to create new ways to track your visits to restaurants and stores

On Wednesday, xAd unveiled a new service that tracks foot traffic to real world stores and serves up the information to businesses through an online dashboard.
The company can tell when consumers walk into individual stores thanks to partnerships it has struck with more than 100,000 smartphone apps. The apps relay GPS location information, which xAd aggregates and makes anonymous to measure and analyse who is shopping at different stores.
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The new service, called MarketPlace Discover, has been tested by Taco Bell and several other major brands, according to the company.
http://www.businessinsider.com.au/xad-new-service-to-measure-retail-store-foot-traffic-2016-6
http://www.xad.com/
 





http://www.journalism.org/2016/06/15/state-of-the-news-media-2016/

11 charts show why Amazon, Uber and so many other tech companies want to deliver your food










onsdag 15 juni 2016

Here are some mind-blowing facts about the ads in Times Square

Renting one of the giant ads isn't cheap either. As of 2012, it cost $1.1 million to $4 million a year to rent ad space in Times Square. For comparison, the average cost of a TV ad during this year's Super Bowl came in at about $5 million for 30 seconds
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Times Square contains some of the most expensive billboards in the world, and the number of eyeballs available to advertisers is staggering. More than 100 million people pass through the square each year, some drawn only by the bright ads.  
http://nordic.businessinsider.com/surprising-facts-about-size-of-times-square-ads-2016-6/

The 15 Most Influential Art World Cities of 2015











https://www.artsy.net/article/artsy-editorial-contemporary-art-s-most-influential-cities

What Tech’s Unicorn Cult Can Learn from the Art World

Investor Aileen Lee popularized the term “unicorn” as shorthand for a startup technology company worth a billion dollars or more.
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Lee’s billion-dollar figure set an arbitrary but gee-whiz number as the entry fee to a club of success. More subtly, it transformed “worth a billion dollars” from an adjective to a noun. And then, in a blink, that noun became an essential fact of a company. In her article, Lee counted fourteen private unicorns; today, TechCrunch’s unicorn “leaderboard” lists a hundred and sixty-eight, a hundred and two of them in the United States.





Both venture capitalists and art buyers are in the business of valuing the invaluable. Both stake their reputations on exquisite selection. Both nurture talent before it can support itself. Both have a soft spot for youth, for unbowed ego, for the myth of solitary genius, for the next new thing. Both operate in a world of frustratingly limited information and maddeningly unpredictable success. Both depend on consumer culture while holding themselves superior to it. And both the art market and venture investing have become increasingly winner-take-all games, with more clout to the companies and artists backed by the most powerful dealers or venture capitalists.
--
Perhaps the most famous criticism of unicorn funding came in a much-discussed blog post by the venture investor Bill Gurley, who lamented startups raising follow-on investments at what he called “dirty valuations,” which made a company a unicorn in theory but contained provisions that hurt early investors.
http://www.newyorker.com/business/currency/what-techs-unicorn-cult-can-learn-from-the-art-world



Can the Billionaire Class Save a Floundering Art Market?

The throng of international collectors is descending on the quiet Swiss town for Art Basel, whose 47th edition opened on Monday.
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Sales by galleries and dealers accounted for 53 percent of the global art trade in 2015, according to the annual art market report by the European Fine Art Foundation. Art Basel, which has 286 galleries from 33 countries, is seen as the litmus test of this segment.
--
Dealers are known to save their best works for the fair, which is at once a sales and marketing platform.
--
Representatives from 300 private and public museums confirmed attendance, Spiegler said. Each year, about 75 of the top 100 U.S. collectors attend the fair, he said.



http://www.bloomberg.com/news/articles/2016-06-14/basel-s-billionaire-magnets-test-art-market-after-weak-auctions
https://www.artbasel.com/
https://play.google.com/store/apps/details?id=com.mch.artbasel

 

tisdag 14 juni 2016

Here's How Apple Balances Data Analysis With Privacy

“When it comes to performing advanced deep learning and artificial intelligence analysis of your data, we’re doing it on device, using the incredible power of the silicon on your iPhone and your Mac, keeping your personal data under your control,” he said. In other words, when Apple processes personal data, it does so on people’s personal devices rather than on the company’s servers, keeping it closer to customers.
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“We don’t build any user profiles,” Federighi said about the information that online companies typically collect about user activity, including the sites they visit and what they search for.  
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The company is leading the way in “differential privacy,” a field that, in his words, “uses hashing, sub-sampling, and noise injection to enable this kind of crowdsourced learning while keeping the information of each individual user completely private.”




http://fortune.com/2016/06/13/apple-wwdc-event-privacy/ 
https://www.amazon.com/Algorithmic-Foundations-Differential-Theoretical-Computer/dp/1601988184/182-2402131-4437941?ie=UTF8&*Version*=1&*entries*=0

Here's Why Netflix Is Driving Hollywood Crazy

Last week Netflix released a colorful infographic called the “Binge Scale,” highlighting which programs viewers are most likely to blow through the fastest, based on the streaming service’s data on its customers’ watching behavior.
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“The new normal” might be a stretch, but there is no doubt that binge-watching is starting to change viewers’ habits and expectations.  






For all of the viewer data Netflix collects, no one but the streaming media company actually knows how well particular shows and movies perform with subscribers.
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Netflix has been one of the biggest critics of the way that movie-theater owners run their business. In a recent interview with Fortune, CEO Reed Hastings lamented the “lack of innovation” in the industry. The company takes particular issue with the “theatrical window”—the amount of time that theaters have exclusive rights to a film—which is something the National Association of Theatre Owners, the industry’s biggest trade organization, has no plans to do away with.
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In the meantime, movie attendance has flatlined in recent decades. Despite a small overall attendance uptick in 2015, nearly a third of the population of North America didn’t set foot in a theater last year, and another 10% went only once.
http://fortune.com/2016/06/13/netflix-disrupts-hollywood/
https://media.netflix.com/en/press-releases/netflix-binge-new-binge-scale-reveals-tv-series-we-devour-and-those-we-savor-1

The new world order for open-source and commercial software

The cloud completely changed open-source and commercial software. Indeed, most businesses are moving applications into the cloud. Software is becoming a service and IT infrastructure a metered utility. While software distribution can be almost free, services always cost money. Both commercial and open-source software companies need to adapt to the new tech economy and move to service-oriented business models. In fact, in the cloud economy open-source and commercial software essentially have the same business model.
 

måndag 13 juni 2016

Subway plans to spend big in digital with a 150-person team

Subway is the latest fast-food chain that wants to become more like a tech company.
The company is assembling a digital team of 150 full-time employees over the next two years, with some coming from consulting company Accenture. The sandwich chain will still use agencies to produce content, while the 150-person team will focus on technology development, loyalty programs, digital strategy and consumer behavior.
--
The digital push comes as Subway’s market share and sales are slipping. It still has 49.3 percent of the U.S. sandwich sales share, but that share has dropped 5.1 percent since 2010, according to research company Technomic’s Top 500 Restaurant Chains Report. Year-over-year sales in the U.S. declined 3.4 percent to $11.5 billion last year, according to Technomic, faster than the industry.




http://digiday.com/brands/subway-plans-spend-big-digital-150-person-team/
https://www.technomic.com/Reports_and_Newsletters/Industry_Reports/dyn_PubLoad.php?pID=1



Chat app Line makes over $270 million a year from selling stickers

Japanese mobile messaging app Line is banking more than $20 million per month selling sticker packs, which typically trade for $1-2 for sets of 12-18, according to data from the company.
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Stickers aren’t the only surprising form of income for Line: the company also disclosed that it made over JPY 2 billion ($18.8 million) from sales of merchandising and licensing deals last year for its Line characters, the figures who star in its sticker packs and front its brand.
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Together, the stickers and merchandising account for nearly one-third of Line’s total revenue, but they also help put a face on the app which the company thinks can help it win new markets. It remains to be seen if now, in the year 2016 with the messaging space long matured, whether dislodging a chat app in a country is even possible, but Line certainly has a strong brand which could resonate among other parts of Asia, where most of its 215 million active users are based.
 

Quora - Have we reached peak app?












https://www.quora.com/Have-we-reached-peak-app
https://medium.com/swlh/nobody-wants-your-app-6af1f7f69cb7#.go37arv21
https://itunes.apple.com/app/momunt/id922149763

Smakprov










http://www.smakprov.se/
http://www.smakprov.se/bok/marknadsf%C3%B6ring--modeller-och-principer/carl-gezelius/isbn/9789152334072
http://www.smakprov.se/s%C3%B6k?q=marknadsf%C3%B6ring
 

fredag 10 juni 2016

Turning a book into a global entertainment franchise

The average cost of production (excluding marketing) for a major animated film is US$160m. As such, success rates needs to be much higher than with books. One way film studios minimize risk is to find IP that has already been successful, i.e. a proven story and built in audience. The Hunger Games has been read by 15% of adult Americans, but the movie was seen by twice that number. Even a classic like The Hobbit is neck and neck (15% have read the book, and 13% saw the movie). The book drives the film, and in turn the film drives more book sales. In film, it’s about hit driven economics.
--
Video games are somewhere in between. They also cost a lot, averaging US$50m+ for a modern “AAA” game (again, production budget only). But their failure rate is relatively high compared with big budget animated films. The video game industry is notorious for its graveyard of studios and publishers. They were never as aggressive as the film studios at securing existing IP, usually opting to create from scratch. That too is changing, as game-makers are realizing the power that great storytelling can have in their games. And like film, it’s also about hit driven economics.

Have We Reached Peak App?

The latest figures, published by Japanese investment bank Nomura on Wednesday, show a 20 percent decline in downloads in the U.S. for the top 15 app publishers since 2015.






The Nomura researchers also found that more than 60 percent of all apps downloaded were owned by Facebook. The Facebook app, Instagram, Messenger and WhatsApp were downloaded more than 142 million times in May, accounting for 62 percent of all app downloads.


 


































Flipboard - News 2.0






https://flipboard.com/@marcsidwell/news-2.0-58dq5r0dz

Analytics nightmare: 82 percent of mobile sharing is done through dark social

Globally, 82 percent of content shared on mobile is shared through messaging, email or text, according to a report released today from ad platform RadiumOne, called the “The dark side of mobile sharing.” In 2014, it was below 50 percent. Just 13 percent is shared via Facebook, and the remaining 10 percent through the other public social networks.
RadiumOne based the numbers on the actions of the 940 million people globally on the platform.









http://digiday.com/publishers/80-percent-mobile-sharing-done-via-dark-social/
https://drive.google.com/file/d/0BzcKg0_DslYFOERlOTVaYWhTQm8/view
 

torsdag 9 juni 2016

Online Reviews? Researchers Give Them a Low Rating

Botto Bistro is far from the worst restaurant in America. But it doesn’t mind if you think so.
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Some shady outfits try to load the dice by buying favorable reviews, but Botto went in the other direction. It asks people to trash it. When we left, the co-owner and chef, Davide Cerretini, gave me a sticker that said, “I gave Botto one star on Yelp.” If I did that, my next pizza would be half price.
The restaurant has been fighting Yelp in earnest for nearly two years now. More than half of its 250 reviews are one-star. Mr. Cerretini seems to enjoy the game. “It may sound to you like a suicide mission, but our business is up,” he said.
--
Even as researchers are finding that reviews are less reliable, more people are relying on them. On Yelp alone, the number of reviews now exceeds 100 million.



http://www.nytimes.com/2016/06/09/technology/online-reviews-researchers-give-them-a-low-rating.html?ref=technology&_r=0 
http://www.bottobistro.com/YELP.html

 

Instagram to third-party developers: drop dead

On June 1, Instagram severely restricted what any third-party Instagram application can do. Not only can third-party apps no longer provide the features Instagram’s API supports but Instagram itself doesn’t offer; they can’t even compete with the restricted feature set Instagram natively provides.

The old Twitter gambit—learn from third-party apps; change your own offerings to match theirs; then change your API—looks positively user- and business-friendly by comparison.
--
Now, I have no problem with Instagram offering a limited feature set. Most great apps reach mass appeal precisely by focusing on a restricted feature set, designed for one or two use cases. And clearly Instagram knows how to reach mass appeal.
http://www.zeldman.com/2016/06/04/instagram-third-party-developers-drop-dead

Email Design Trends of 2016 (so far)


https://medium.com/email-industry-news/the-newest-email-design-trends-of-2016-f8d038e56396?ref=webdesignernews.com#.b7di95bym


Welcome to China's $1 Trillion Club. Now for the Hard Part

The low-cost make-for-export model that turned Shandong into China’s third $1 trillion provincial economy after Guangdong and Jiangsu is faltering, adding urgency to the push for quality own-name products with fatter margins.


Shandong got a boost in the past from its proximity to Japan and South Korea, the source of much of its early investment. Now, it’s trying to maintain the high growth rate needed to make the same leap they did: from middle- to high-income status, a jump only five economies have managed, including Taiwan, Hong Kong and Singapore, according to Nobel laureate Michael Spence.
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Unlike other parts of China that have struggled to establish top brands, Shandong has a solid foundation with three of the nation’s best-known names: household electrical appliances makers Haier and Hisense Electric Co., and Tsingtao beer.
http://www.bloomberg.com/news/articles/2016-06-08/welcome-to-china-s-1-trillion-club-now-for-the-hard-part

Adidas Relies On Stars Not Soccer Teams To Sell Product

Adidas, Nike Inc. and Puma SE are relying more on individuals to sell cleats and jerseys during the monthlong Euro 2016 tournament, the year’s top event for the biggest sports-gear suppliers that starts on Friday. Adidas, roughly tied for market share with Nike in the $5 billion global soccer-gear market, is banking on top players’ ability to reach fans directly and shifting a larger part of its $2.7 billion annual marketing budget toward them compared with the big team sponsorships that defined its past.
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Campaigns built around individual stars also let the brands get their message to kids in a more controlled fashion than they can through decade-long club associations, at a time when fast-changing tastes mean kids want new colours and designs every couple of months.
http://www.businessoffashion.com/articles/news-analysis/adidas-relies-on-stars-not-soccer-teams-to-sell-product

AppStore - Introducing Search Ads




https://developer.apple.com/app-store/search-ads/




 

 

Making contrarian bets in adtech

U.S. location-targeted mobile ad spend is expected to be worth $11.3 billion in 2016 and growing to $26.7 billion by 2020. This sector is attracting significant VC dollars, including into xAd, PlaceIQ and Blis.
http://techcrunch.com/2016/06/08/making-contrarian-bets-in-adtech/

onsdag 8 juni 2016

E-handel: Nu tar marknadsplatserna över

Marknadsplatser för e-handel är fortfarande i sin linda i Sverige. Men när svenskarna handlar från utlandet sker det vanligen från någon av de dominerande marknadsplatserna i världen.
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Vi ser i svaren till E-barometern att så många som var femte person handlar från utländska sajter och däribland marknadsplatser såsom Zalando, Amazon och Alibaba, säger Carin Blom, detaljhandelsanalytiker hos Postnord och ansvarig för deras E-barometer.



http://internetworld.idg.se/2.1006/1.659934/e-handel-marknadsplatser
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