onsdag 30 november 2016

How deep are your pockets?

 Jun 30th 2012


Now, however, online retailers are being offered software that helps them detect shoppers who can afford to pay more or are in a hurry to buy, so as to present pricier options to them or simply charge more for the same stuff.
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“Price customisation” software.









tisdag 29 november 2016

Square deal

Jun 16th 2012

Scanlife, a provider of QR code services, saw the number of unique users scanning codes through its system triple in the year to March. One reason for the rise is the proliferation of smartphones with high-quality cameras and the corresponding decline in data charges.
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For marketers, QR codes bridge the gap between offline and online worlds. Customers who use them are, in effect, asking to be told more about the company. The success of a campaign is easy to measure by the number of scans. Expect to see a lot more of those funny little black-and-white patches.




http://www.economist.com/node/21556993
http://www.scanlife.com/ 

måndag 28 november 2016

Leading developer Lightricks launches Facetune 2.0 to leverage Apple’s app subscription model

Lightricks has released a new version of its popular Facetune app that may get as much attention for its new business model as the suite of new features.
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Users will be able to download the app for free, try new features, and buy them individually. Or users can subscribe to the app to access all the features, as well as all new features added in the future. The new version will be available worldwide on November 25, but prices for features and subscriptions will vary from country to country. However, in the U.S., subscriptions prices are expected to be $3.99 per month.



http://venturebeat.com/2016/11/25/lightricks-launches-facetune-2-0-becoming-one-the-most-notable-developers-to-embrace-apples-app-subscription-model/ 
 http://www.facetuneapp.com/

 

Kohl’s is using social data to steer its new fast-fashion label

K/Lab, the private-label brand recently launched by the department store Kohl’s.
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Kohl’s appointed a data scientist, now a crucial member of K/Lab’s three-person team—their job is to scan social platforms, follow bloggers and see what’s popular among their followers, and analyze customer behavior. They then aggregate the information for K/Lab’s style curator, who works with a product planner to finalize what items will be created. Finally, the retailer outsources the actual designing and production of the clothes—in whole, it makes for a 13-week turnaround period. New items—including tops, jackets, dresses, jumpsuits and skirts—are introduced each week, and each is priced between $28 and $78.
“It’s unique that we start with data first. Many [retailers] start with a concept first, then gather data. We allow the data to lead us to the concept,” said Lewis. 
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Using data gathered from social media platforms to create relatively cheap fast-fashion items puts Kohl’s in a good spot to compete with other department stores and online platforms—as well as the likes of H&M and Forever 21, which are all vying for millennials’ dollars, said Marshal Cohen, the chief industry analyst of retail at research firm NPD.  






http://www.glossy.co/new-designer-class/kohls-is-using-social-data-to-steer-its-new-fast-fashion-label
http://www.kohls.com/sale-event/klab.jsp
 

fredag 25 november 2016

10 knep inför Black Friday: Så avslöjar du bluffbutikerna på nätet













http://pcforalla.idg.se/2.1054/1.202411/10-knep--sa-avslojar-du-bluffbutikerna-pa-natet
https://www.iis.se/
http://www.allabolag.se/what/partykungen
https://www.partykungen.se/

Klarna: ”Bank-id skapar ett monopol”

Klarna var nyligen tvungna att stänga av Apples touch id-inloggningar till sin nya app på grund av regler från Bank-id. Deras regler säger nämligen att man inte får använda andra inloggningsmetoder samtidigt som man använder Bank-id, enligt Klarna.
– Vissa användare föredrar att bara använda Bank-id, men andra föredrar andra populära och väletablerade inloggningsmetoder, såsom touch-id. I dessa fall innebär reglera att användarupplevelsen blir sämre, säger Jesper Wigardt, pressansvarig på Klarna.



http://www.svd.se/klarna-bank-id-skapar-ett-monopol/om/mobilt-bank-id

The Weird Economics Of Ikea

The furniture is also sold according to some unique economics. In many cases, Ikea’s famously affordable pieces get dramatically cheaper year after year. 
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As we tour Ikea’s unique economics, you may want to have a seat in the company’s Poäng chair, 1.5 million of which are sold each year. Ikea’s been hawking them around the world for the past four decades.





Although Baxter can’t yet prove its particulars — more data cleaning and analysis is necessary for her ultimate Ikea project — there is a sort of evolutionary dynamic at play in the annual Ikea catalog: survival of the fittest furniture. She noticed that the company tends to discontinue products that remain expensive. “If they can’t figure out how to make them more cheaply, or retool them or slightly redesign them, it seems like the things disappear,” she said.
http://fivethirtyeight.com/features/the-weird-economics-of-ikea/

How to Invest in the Credit Card Boom

Before the end of 2016, perhaps while loading their minivans and Malibus with Christmas presents, Americans are expected to blow past a major milestone. For the first time since the financial crisis, they’ll be carrying more than $1 trillion in credit card debt.
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Since the Great Recession, Visa, MasterCard, American Express, and Discover have become increasingly efficient profit machines. In 2016 they’re on track to post $20 billion in earnings on $70 billion in revenue, according to S&P Global.
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And while many Silicon Valley seers thought mobile-payment platforms like PayPal PYPL  and Apple Pay would threaten the card oligopoly, the old guard has largely co-opted the upstarts, making their own services compatible with the new generation of apps. Fintech “used to be seen as the great threat,” says Jim Sinegal, equity analyst at Morningstar, but for now digital innovators are “just incorporating the existing ecosystem.”
http://fortune.com/2016/11/09/credit-card-stocks/

6 dolda pärlor du måste uppleva i Australien





There’s Nothing Like Australia is Tourism Australia’s global consumer marketing campaign, highlighting some of the very best attractions and experiences Australian tourism has to offer.
Designed to be long-lasting and flexible, the campaign evolves to stay relevant for target consumers in a highly competitive and fast-changing global tourism environment.
http://kampanj.dn.se/australienresor/6-dolda-parlor-du-maste-uppleva-i-australien/
http://www.tourism.australia.com/campaigns/TNLA.aspx


Apple mysteriously stopped disclosing how much it spends on ads

Apple's advertising expenses rose 50% to a record $1.8 billion in 2015.



However, Apple's SG&A costs were down 1% year-on-year to $14.1 billion. In 2015, that figure — of which staff salary will make up a large proportion — had increased 19% year-on-year. 



http://www.businessinsider.com/apple-stopped-disclosing-ad-spend-2016-11?r=US&IR=T&IR=T

The business of reselling returned shop items

Retailers hope to sell more than $650bn of goods this season, roughly the annual economic output of Switzerland. Ideally, companies’ supply of products would precisely match demand for them. In reality millions of items will stay on shelves or get sent back after purchase—in all of 2015 Americans returned goods worth $261bn, out of a total $3.3trn sold. What happens next?
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Dealing with unwanted goods can amount to a tenth of the cost of making and distributing them in the first place. But for a whole string of logistics firms, discount chains, brokers, dollar stores and more, they are a big earner.
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 Last year, for example, FedEx spent $1.4bn to buy GENCO, a specialist in so-called “reverse logistics”. The world’s top clothing retailer is now TJX, which snaps up surplus inventory and shifts it at a discount.
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Last year KKR, a well-known private-equity firm, invested in a company called Channel Control Merchants, which calls itself an “extreme-value” retailer and exporter of excess inventories.
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Many goods will end up going into landfill.
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Inmar, which offers an array of reverse-logistics services, is often asked to cut labels from apparel, so someone can’t try to return items to a store. Such anonymisation also leaves a brand untarnished, as its clothes are then flogged on a global bazaar for unwanted items that is known as the secondary market.
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This market is vast and complex. Sales for the American part alone reached just over $486bn in 2014, according to research by Dale Rogers of Arizona State University and Zachary Rogers of Colorado State University. 
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More e-commerce means more returns, as customers buy goods without seeing them, often in several sizes, then send back what they don’t need.
http://www.economist.com/news/business/21710855-what-happens-all-goods-shoppers-dont-want-business-reselling-returned-shop-items

torsdag 24 november 2016

Why ageism is adland's next frontier

IPA (The Institute of Practitioners in Advertising) data confirms that the cliché that "advertising is a young person’s game" is more than just a lazy stereotype. The average age of employees at all IPA member agencies is 33.7, a figure that has remained static since 2009
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Campbell believes that the digital culture the industry has colluded in creating is frightened of creative ideas as it is driven by an overwhelming desire to weigh and measure any given approach. "Over the last 25 years, creative people have been sidelined," he adds.
 --
The scientific data shows that some creative types – such as lyrical poets and mathematicians – tend to have early creative peaks. Whereas others – among them historians and philosophers – are prone to later peaks and gradual, even negligible, declines. I haven’t found any scientific data on where admen fit in. But 72-year-old Sir John Hegarty seems to be as creative as ever and 71-year-old Sir Martin Sorrell shows no sign of acting his age. To stay creative and original in later life, it helps to be willing to do new things.

onsdag 23 november 2016

Lost in the splinternet

According to the Boston Consulting Group, the internet economy (e-commerce, online services and data networks, among other things) will make up 5.3% of GDP this year in G20 countries.
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A splintered internet would hamper its role as a remarkable innovation engine. Start-ups, in particular, would find life harder. Data-localisation requirements and other barriers can cut GDP growth by more than one percentage point in some countries, reckons the European Centre for International Political Economy, a think-tank, in a study published in 2014.
http://www.economist.com/news/international/21709531-left-unchecked-growing-maze-barriers-internet-will-damage-economies-and


Social media ‘influencers’: A marketing experiment grows into a mini-economy

What was an experimental marketing practice only a short time ago has morphed into a mini-economy with dizzying financial stakes. The social-media analytics firm Captiv8 estimates that big brands are spending a collective $255 million per month for sponsored posts on Instagram alone. Captiv8 says Instagram influencers who have more than 7 million followers command an average rate of more than $150,000 per sponsored post.
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Influencers go to greater and greater lengths to make sure their feeds feature only the most polished aspirational imagery. For Middledorf, that means studying Pinterest for fresh posing ideas. She has honed tricks such as walking backward, a tactic she swears actually appears as a more natural walk in photos. And she scouts locations ahead of time to make sure the scenery is a fitting background for a certain outfit.



 

You need Instagram to make it as a model, even if you’re Kendall Jenner

According to Forbes, the world’s 20 highest-paid models have 200 million Instagram followers between them, and they made a total of $154 million between 2015 and 2016. Jenner was the number-three earner, a 150-percent jump from the prior year, pocketing $10 million from brands including Estée Lauder and Calvin Klein. Tied was Karlie Kloss, who advertised for 18 different brands, no doubt thanks to her 5 million-plus followers.
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Clarke said that casting via selfies should come with a warning: For one—thanks to “Facetune and filters, and tricks for lighting and angles”—the person you’re seeing online can be very different than who you wind up meeting in person. 



http://www.glossy.co/instagram-effect/you-need-instagram-to-make-it-as-a-model-even-if-youre-kendall-jenner
http://www.forbes.com/sites/natalierobehmed/2016/08/30/the-worlds-highest-paid-models-2016-karlie-kloss-and-kendall-jenner-storm-top-three-with-10-million-apiece/#2e09f132e17f

Here's why 5G is poised to take off

There will be around 550 million 5G subscriptions globally in 2022, according to the latest Ericsson Mobility Report.
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5G speeds will surpass 1 Gbps; at its slowest, it will be 10 times faster than 4G was in 2010.






http://www.businessinsider.com/5g-is-poised-to-take-off-2016-11?r=US&IR=T&IR=T
https://www.ericsson.com/mobility-report
https://www.ericsson.com/TET/trafficView/loadBasicEditor.ericsson

Elon Musk’s plan to blanket the world in internet is going after half of the globe

According to recent data from the World Bank and the U.N.'s International Telecommunications Union, only 47% of the world's population has internet access.
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And after a big boom in the late 90s, yearly growth of internet access has largely stalled - as it stands now, we're unlikely to hit the UN's stated goal of getting 60% of the world online by 2020. 



http://nordic.businessinsider.com/internet-access-globe-online-spacex-facebook-chart-2016-11?r=US&IR=T

tisdag 22 november 2016

Airbnb’s New Magazine and the Evolution of Old-School Content Marketing


The premier issue has 28 pages of editorial content, and is entirely devoted to Los Angeles, the host city of the Airbnb Open. Content includes “how to navigate LA,” profiles of Airbnb Superhosts, spotlights on select LA neighborhoods, and profiles of Airbnb Trips (tours and activities) in the city. There are only three advertisements: each from Airbnb Open partners (Delta Air Lines, the film La La Land, and American Express).
https://skift.com/2016/11/20/airbnbs-new-magazine-and-the-evolution-of-old-school-content-marketing/

Why logos are going retro

Historical logos can work to associate these brands with nostalgia, experience and expertise that set them apart from younger start-up competitors. Alongside this trend is the increasing favour of authentic handcrafted logo designs from the 1960s and 70s. In a world where consumers are awash with digitally produced logos, this is a refreshing counter-trend.
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"I wouldn't say it's about nostalgia. Rather, it's a return to a company's foundation and roots, showing a commitment to mission," she says. "If the foundation is strong, and/or has a valuable legacy, use it."
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This year Kodak brought back its first official symbol designed by Peter J. Oestreich in 1971.




Working parallel to the emerging trend of old logos is a trend of logo simplicity.
Recent re-brands of major companies such as Deliveroo, Subway, Instagram and Mastercard have seen a replacement of skeuomorphism with vector-based logos.
http://www.digitalartsonline.co.uk/features/graphic-design/why-logos-are-going-retro-update/

måndag 21 november 2016

Using Handwritten Typography in Web Design

There is no doubt that there is a certain art to using typography. Finding the correct font combinations can often make or break a brand, and the wrong choice of fonts can send a completely wrong message and turn the users away.




https://envato.com/blog/using-handwritten-typography-web-design

How the growth of esports compares to traditional sports trends

Esports events can fill a big stadium of fans who watch video game pros play for $20 million in prizes. But compared to traditional sports, esports still have a long way to go.
One telling statistic: Traditional sports leagues such as basketball monetize fans at about $15 per person. Esports right now is monetizing at $2.83 per person, according to market researcher Newzoo.
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Ultimately, the reason why the NFL and NBA and many of these other leagues monetize so well is because they’re more or less monopolies. The problem, from our perspective — the reality in esports — is that things are pretty decentralized and fragmented in the overall landscape. Publishers own the IP. The IP isn’t static. Games become more or less popular as a result of what publishers do. How they think about esports varies a lot.
http://venturebeat.com/2016/11/18/how-the-growth-of-esports-compares-to-the-trends-in-traditional-sports/



fredag 18 november 2016

Inside the #GrabYourWallet Trump Boycott

Coulter’s husband came up with the hashtag #GrabYourWallet — a play on Trump’s “grab them by the pussy” line the Washington Post exposed in a video in October.
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Many of the brands on the boycott list are mainly being called out for selling merchandise from the Ivanka Trump line.



 

torsdag 17 november 2016

Nike and Adidas use apps to boost control of exclusive product drops

Nike is joining Adidas as the latest retailer to drive consumers to a mobile app in order to take control of its exclusive product launches. Nike announced earlier this week that its forthcoming HyperAdapt 1.0, a self-lacing, rechargeable sneaker, will be available on December 1, but there’s a catch. In order to score a pair of the $720 sneakers—which will initially only be available at the Nike Soho store and the NIKE+ ClubHouse, both in New York City—consumers will have to make an in-store appointment using the Nike+ app.
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 Though the apps can be beneficial in streamlining the sales process and allowing for more controlled releases, Fischer said that they also detract from streetwear culture and may hinder buzz over new products moving forward.

 

Business Insider - India






http://www.businessinsider.in

onsdag 16 november 2016

True Lies Of Optimistic User Interfaces

An optimistic UI is nothing more than a way of handling human-computer interaction. To understand the main ideas behind it, we will stick with our “user clicks a button” scenario. But the principle will be the same for pretty much any kind of interaction that you might want to make optimistic.
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In 97 to 99% of cases when the user clicks a button on a website, the server’s response should be success, with no error.






https://www.smashingmagazine.com/2016/11/true-lies-of-optimistic-user-interfaces/





Cardlife - SaaS Directory







https://www.cardlifeapp.com/saas-directory/marketing

tisdag 15 november 2016

Silver-screen playbook

Feb 27th 2016

Crunching information from The Numbers, a website that collects data on film releases, and Rotten Tomatoes, an aggregator of critics’ and punters’ reviews, we found that the strongest predictor of absolute box-office receipts is a film’s budget
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The more a studio commits to producing a film, the more it is likely to spend on advertising it. The budget also helps determine how widely a film is shown. Films with a budget of $10m-40m open, on average, in 1,600 of the 6,000-odd cinemas in America and Canada; those with budgets of over $100m open in 3,500.
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Sequels and franchise films are another way for studios to limit their risks. Nearly one in five of the films Hollywood pumps out nowadays is a sequel, up from one in 12 a couple of decades ago. All other things being equal, sequels earn $35m more than non-sequels at the box office. 


Are Facebook and Google really taking all the digital ad growth?

Brian Wieser, an analyst at Pivotal Research, calculated that Facebook and Google took 74.6 percent of the digital ad growth in the U.S. in 2015, and about 98 percent of the growth in the first half of 2016. 
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Many researchers base their overall ad spend estimates off Interactive Advertising Bureau surveys. Although IAB surveys, undertaken by PricewaterhouseCoopers, are widely recognized within the advertising industry, they, like all surveys, cannot capture every company operating on the internet.
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Another important caveat is the distinction between gross and net revenue. Research that shows Facebook and Google receive all the digital ad growth is examining gross revenue, which means it’s only tracking how money flowed through the channels.
Tracking gross revenue is relevant, even if it doesn’t tell you where the money winds up. Google and Facebook receiving all the gross revenue growth indicates that publishers are losing direct relationships with buyers, Wieser said. Even if publishers indirectly receive a portion of the spend flowing through Facebook and Google, they lose control over the deal terms as more spend is directed through the platforms, he said.
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 EMarketer is one firm that forecasts net revenue. Its research predicts that Google and Facebook will account for 57.6 percent of net revenue growth in worldwide digital advertising in 2016.
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An enormous chunk of money sits in between eMarketer’s 58 percent net growth estimate and Pivotal’s 98 percent gross growth estimate.
 http://digiday.com/platforms/facebook-google-really-taking-digital-ad-growth/

The Times They Are A-Changin’

In the early 2000s, The New York Times easily made over $2 billion in advertising revenue per year. Today, they make about $600 million from ads.




http://www.visualcapitalist.com/chart-new-york-times/

måndag 14 november 2016

YouTube Is Helping to Sell a Lot of Makeup

October 31, 2016 

The brainchild of a YouTube sensation, Ipsy is bringing in $150 million a year.
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With 2.2 million followers on Instagram and 3.1 million on Facebook, Michelle Phan is a beauty dynamo. The launching point of her empire is a YouTube channel, where she has amassed 8.7 million subscribers since 2006. The 29-year-old former waitress came into prominence as a result of her channel, where she shared tips on how to take a selfie and how to fix shattered blush. Since becoming one of the most followed beauty vloggers on the site, she has walked the fine line between the earnest beauty product recommendations that first gained her a following and her burgeoning businesses. Among her commercial interests are the beauty-box subscription service Ipsy, a makeup line called em by Michelle Phan, and the lifestyle network Icon. 




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